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COMPOSER
Pi eces written as a student (her
composition teachers
included
Jonathan Harvey) were first performed at London venues in
Society for the Promotion of New Music concerts. Commissions
such as Composition for clarinet quintet followed
(also broadcast on Radio 3) as well as various pieces
composed for dance which were performed at the ICA,
Riverside Studios, regional festivals, abroad and on Channel
4 TV (‘…set to a witty score for oboe and dripping water…’
New York Times).
She left London in 1987 to become
composer/musician-in-residence at a small arts centre on
the North Norfolk coast and wrote
In These
Places
which was performed by John Harle with the County Youth
Orchestra at St Andrews Hall, Norwich. Other large-scale
pieces have included To the Turning
of the
Millennium (for
baritone, children’s choir, small ensemble and tape),
Here’s What I Saw (a half-evening of music-theatre) and
Playing The Game for symphony orchestra premiered in Chelmsford.
A mid-length CD of
five small-scale pieces played by the Composers Ensemble is available on the Metier label (‘an engaging saxophone solo…a splendid miniature cantata…’ Tempo magazine). Time Song (for counter-tenor, recorder
and ‘cello) is included on the CD, ‘Pied Piper’, released in 2009
on the Campion Cameo label. Her composing takes place in the context of a busy programme of community music project- leading with people of many ages and abilities.

Jane with score and prop for ‘Here’s What I Saw’.
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